Woven Being Curator Tour with Jordan Poorman Cocker: Block Museum - Northwestern University
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Woven Being Curator Tour with Jordan Poorman Cocker

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Jason Wesaw (Pokagon Band of Potawatomi, born 1974), Breath of Life…The First Song, 2023; sound component, 2024 Vintage “Calumet” cans, elm bark, elk hide, and poplar and oak dowels, with harvested cherry, Osage orange, sassafras and twisted wood, copper BB’'s, pebbles, and paint. Collection of the artist.
Tours
February
27
12:30

Event Details

Date & Time:

Thu February 27, 2025
12:30

Location:

The Block Museum of Art
40 Arts Circle Drive
Evanston, IL 60208

Audience:

Open to the public

Details:

This Exhibition Tour will be led by Jordan Poorman Cocker, Terra Foundation Guest Co-Curator for Woven Being: Art for Zhegagoynak/Chicagoland 

Through the perspectives of four collaborating artists with connections to ZhegagoynakAndrea Carlson (Grand Portage Ojibwe/European descent), Kelly Church (Match-E-Be-Nash-She-Wish Tribe of Pottawatomi/Ottawa), Nora Moore Lloyd (Lac Courte Oreilles Band of Lake Superior Ojibwe), and Jason Wesaw (Pokagon Band of Potawatomi) —Woven Being explores confluences that continue to shape Indigenous creative practices in the region and beyond.  

Block Exhibition Tours offer an overview of our current exhibitions with a member of the Block Museum team, and an opportunity for questions and conversation.    

Participation level – light, participants may choose to share thoughts and questions during the tour.  

RSVP

 

Jordan Poorman Cocker

Jordan Poorman Cocker, Terra Foundation Guest Co-Curator for "Woven Being: Art for Zhegagoynak/Chicagoland" 

An enrolled member of the Kiowa Tribe, Jordan Poorman Cocker is the Curator of Indigenous Art at the Crystal Bridges Museum, Bentonville, AR and The Block's 2021-2024 Terra Foundation Guest Co-Curator of Indigenous Art. Jordan holds a Bachelor of Design from Auckland University of Technology in New Zealand, with a focus on spatial design and Indigenous design theory. She received a Masters of Museum and Heritage Practice from Victoria University of Wellington in 2017, where her practicum included the study of Indigenous museum practices with the National Museum of New Zealand. She is a PhD. candidate with Auckland University of Technology. Her Indigenous curatorial methodology and approach utilizes oral histories, multivocality and Indigenous knowledge systems to explore intergenerational relationships within Indigenous Art Forms from community-based lenses. 

The Block Museum of Art acknowledges support from the Illinois Arts Council.

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Contact The Block Museum of Art for more information: (847) 491-4000 or email us at block-museum@northwestern.edu