The Block Museum of Art extends rights for limited usage of the below images in print and digital reviews, criticism, and related publications expressly related to the project Woven Being. Full crediting and captioning are required, and editing or cropping of the image is prohibited. The artist or image owner retains all copyright.
Credit: Andrea Carlson, The Indifference of Fire, 2023. [installation view] Oil, acrylic, gouache, ink, color pencil, and graphite on paper approximately 46 x 182 inches (overall), 11.5 x 30 inches (each of 24 elements), Gochman Family Collection. ©Andrea Carlson, courtesy Bockley Gallery and JAMES FUENTES
Credit: Andrea Carlson, The Indifference of Fire, 2023. [detail] Oil, acrylic, gouache, ink, color pencil, and graphite on paper approximately 46 x 182 inches (overall), 11.5 x 30 inches (each of 24 elements), Gochman Family Collection. ©Andrea Carlson, courtesy Bockley Gallery and JAMES FUENTES
Credit: Kelly Church (Match-e-be-nash-she-wish Pottawatomi, Ottawa, and American, born 1967), Sustaining Traditions—Digital Teachings, 2018. Black ash, sweetgrass, copper and Rit dye; medicine pouch containing sage, tobacco, sweetgrass, and cedar; glass vial containing emerald ash borer and isopropyl alcohol; USB flash drive. 19.7 × 10.2 cm (7 3/4 × 4 in.) Copyright of the artist, Courtesy of The Art Institute of Chicago, Mrs. Leonard S. Florsheim Jr. Fund, 2020.389a-d.
Credit: Nora Moore Lloyd (Lac Courte Oreilles Band of Ojibwe, born 1947), Angie DeCorah (Ho Chunk), 2007/2008. Digital photo scanned from original negative, 8x10 inches. Copyright of the artist.
Credit: Jason Wesaw (Pokagon Band of Potawatomi, born 1974), Neon Sunrise, 2023. Hand-sewn muslin hand-dyed with sassafras bark and Rit dyes, polyester ribbon, copper cones, and artificial sinew, in custom-constructed and painted frame, DIMS. Courtesy of the artist. Photograph by Holly Trevan, 2024.
Credit: Jim Denomie (Lac Courte Oreilles band of Ojibwe), Totem, Animal Spirits, 2021. Wood, oil paint, deer antlers, horse hair, found objects, 78 × 32 × 32 in. Forge Project Collection, traditional lands of the Moh-He-Con-Nuck. Copyright Estate of the artist and Bockley Gallery
Credit: Teri Greeves (Kiowa), My Family's Tennis Shoes, 2003. Beaded Converse All Star high top sneakers, Woman's shoes (each): 15.2 × 8.9 × 26.7 cm and Baby's shoes (each): 7 × 5.1 × 12.1 cm., Cotton, rubber, glass beads, metal, thread, Collection of School for Advanced Research, SAR.2003-16-1A-D. Photo by Addison Doty. Courtesy of the School for Advanced Research.
Credit: Rick Bartow, (Wiyot, 1946-2016) Why He Sings, 2004. Pastel and aqueous medium on paper, 24.5 x 39.25 in. Denver Art Museum: William Sr. and Dorothy Harmsen Collection, by exchange, 2005.61. ©Rick Bartow
Credit: Virgil Ortiz (Cochiti), Tracker, 2012. Clay and slip. 22 x 15 x 9 in. Denver Art Museum: Gift from Vicki and Kent Logan to the Collection of the Denver Art Museum, 2016.117A-D ©Virgil Ortiz
Credit: Daphne Odjig (Odawa/Potawatomi, 1919–2016), Entrance to the Lodge, 1984. Acrylic on canvas, 20 x 24 inches, J.W. Wiggins Native American Art Collection, University of Arkansas © Estate of Daphne Odjig.
Credit: Frank Big Bear (White Earth Ojibwe, born 1953), The Walker Collage, Multiverse #10, 2016 [detail], Mixed media on invitation cards for an exhibition by the artist’s son Star Wallowing Bull, 8 1/2 x 6 inches each, of 432. Collection Walker Art Center, Minneapolis, Commissioned by Walker Art Center, , 2018.30.1-432. Walker Acquisition Fund, 2018. Artwork image copyright of the artist and Bockley Gallery, courtesy of Walker Art Center.
Credit: Frank Big Bear (White Earth Ojibwe, born 1953), The Walker Collage, Multiverse #10, 2016 [installation view], Mixed media on invitation cards for an exhibition by the artist’s son Star Wallowing Bull, 8 1/2 x 6 inches each, of 432. Collection Walker Art Center, Minneapolis, Commissioned by Walker Art Center, 2018.30.1-432. Walker Acquisition Fund, 2018. Installation image copyright of the artist and Bockley Gallery, courtesy of Walker Art Center.
Nora Moore Lloyd (Lac Courte Oreilles Band of Ojibwe, born 1947), Birchbark/Wiigwaas,[recto] 2020. Photograph on fabric, two-sided, 50 x 84, Courtesy of the artist
Credit: Nora Moore Lloyd (Lac Courte Oreilles Band of Ojibwe, born 1947), Birchbark/Wiigwaas, [verso] 2020. Photograph on fabric, two-sided, 50 x 84, Courtesy of the artist.
Credit: Kelly Church (Match-E-Be-Nash-She-Wish Band of Pottawatomi/Ottawa, born 1967) Native Land Mat, 2024, White cedar bark, black ash, ribbon, wood, laminated black construction paper. Collection of Kelly Church, Image courtesy of the artist.
Credit: Kelly Church (Match-E-Be-Nash-She-Wish Band of Pottawatomi/Ottawa, born 1967), Dragonflies and Turtle, 2024. Birch bark. Collection of Kelly Church. Image courtesy of the artist,
Credit: Jason Wesaw (Pokagon Band of Potawatomi, born 1974) Breath of Life…The First Song, 2023. Vintage “Calumet” cans, elm bark, elk hide, and poplar and oak dowels, with harvested cherry, Osage orange, sassafras and twisted wood, copper BB’'s, pebbles, and paint. Collection of Jason Wesaw. Image courtesy of the artist.